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NEWS                                                                                                   Friday 11 May 2018
                                                                                                                                   DAY 4





                 THE BUZZ
                 OF THE DAY                                                                                   GILLIS BRINGS

                 THE LITTLE VIOLINIST                                                                         POWER OF MAJORS

                                                                                                              TO SEE SAW FILMS
                 GETS BIGGER WITH                                                                                          SEE-SAW Films’ Head

                                                                                                                          of Commercial Affairs
                 WANG’S FIRST FEATURE                                                                                     Simon Gillis is in
                                                                                                                          Cannes following
                                                                                                                          the announcement of
                                                                                                                          a three-year first-look
                                                                                                                          development,
                        RODUCTION starts this                                                                             financing and
                        month on Wang Yang’s debut                                                           © DR         production deal
                        feature June, a suspense drama                                                        with New Regency.
                        starring Aaron Kwok                                                                   Two years into the job, Gillis came to
                  P (The Monkey King) and Miao                                                                the London/Sydney, and now LA-based,
                 Miao (Youth). The Chinese-language film                                                      independent producer of The King’s
                 is inspired by her short film, The Little                                                    Speech, from Universal Pictures, and
                 Violinist.                                                                                   before that, Disney and BBC Films.
                 The film is produced by Tianying Media,                                                      “By joining forces with New Regency
                 and co-produced by Arri China, marking                                                       we are able to place larger financial
                 the first time the company has worked                                                        bets at the development and
                 on a Chinese production.                                                                     production stages,” Gillis said. Steve
                 June follows the story of Jun (Miao                                                          McQueen’s Widows will be the
                 Miao), an aspiring cellist who grew up in   © BLAISE TASSOU                                  company’s first release with New
                 New York’s Chinatown. Her life is turned    Miao Miao and Aaron Kwok, pictured in Cannes     Regency and Fox later this year.
                 upside-down when she discovers a secret                                                      “New Regency gives us a foothold in
                 about her father (Aaron Kwok). Under   in New York, and we want to start an   supporting Wang Yang in her feature-film   the US and allows us a bigger budget
                 the strain of preparing for a life-changing   initiative whereby first-time feature   debut as a co-producer and partner.   slate of $25m-plus films, which is the
                 music competition, combined with  film-makers can tell their stories, and   We want this to just be the beginning   engine of that deal,” he said. “We now
                 the trauma of searching through   we will support them with a production   in bringing both culturally relevant films   have the resources and US presence to
                 his mysterious past, her life begins  platform to produce commercially   and box-office contenders to audiences  compete on hot properties out of the
                  to unravel.                   successful films.”             in China and around the world.”  agencies at the highest level.”
                 The Little Violinist has shown at over   Forest Liu, General Manager of Arri   Tianying Media is the production   Gillis is happy with his move from the
                 40 festivals around the world and won   China added, “Arri was founded by two   and financing associate of China’s   majors. “It’s great to be closer to the
                 10 awards.                     enthusiastic young film-makers with   state-owned Tianjin North Film Group.   talent and the production, working on
                 Tianying Media’s CEO Wu Jian said:   a dream of making movies. As such   Arri Media is handling European Sales,   films which I’d pay to see,” he said.
                 “We were drawn to the project from the   I believe the founders would be proud   with sales for the rest of the world   “When you know the ins and outs of
                 talents demonstrated by Wang Yang as a   to see their legacy live on as we enter   handled by Tianying Media.✦  both worlds, you can decide which
                 burgeoning Chinese film-maker living   the growing Chinese film industry by       Julian Newby  route is best for the film. We have the
                                                                                                              best of both worlds when we’re coming
                                                                                                              to source and structure the financing.”
                                                                                                              After the success of The King’s Speech
                 TORONTO INTERNATIONAL                                                                        See-Saw made a move into high-end TV
                                                                                                              with Jane Campion’s Top of the Lake,
                 FILM FESTIVAL UNVEILS                                                                        which exceptionally was screened in
                                                                                                              Cannes last year. But Gillis said that,
                                                                                                              moving into its second decade,
                 2018 JURY SELECTION                                                                          the company is happy to stay focused
                                                                                                              on both TV and theatrical.
                                                                                                              “I know a number of film producers
                                                                                                              have shifted their focus to TV, but we
                 THE TORONTO International Film   her first feature to screen at TIFF,   to Cannes, with Secret Sunshine (2007)   are very optimistic about growing our
                 Festival has announced that Margarethe  and Rosa Luxemburg (1986) and Love   winning the Best Actress award, and   market share in both media,” he said.
                 von Trotta, Béla Tarr and Lee Chang-  and Fear (1988), both of which were   Poetry (2010) winning Best Screenplay   “Our strategy across film and TV is
                 dong will make up its 2018 jury for  nominated for the Palme d’Or.  three years later. Burning, his latest film,   to continue to be a home for authored,
                 the Festival’s Platform programme,   Tarr began his filmmaking career at  is in competition for the Palme d’Or   high-quality fare whatever the genre
                 now in its fourth year.        the age of 16, making amateur   this year.                    or size of screen. Some stories are
                 Platform features up to 12 works that   documentaries. He made his feature   “We are privileged to have a Platform   worth leaving the house for.” ✦
                 show artistic quality and a strong   debut with Family Nest (1977) at   jury that so perfectly embodies the      Julian Newby
                 directorial vision. The three-person jury   the age of 22. He is a regular at TIFF,   programme’s essence,” Piers Handling,
                 will select the winner of the Toronto   returning multiple times over the years,   Director and CEO of TIFF, said.
                 Platform Prize of CA$25,000, presented  including when he was featured in   “The wealth of experience, passion,
                 to the best film in the programme.  1995 for a spotlight on his work.  and knowledge that they will bring  NEWS  THE  OFFICIAL  DAIL Y
                 Von Trotta is known for being one of   Lee is known for many critically   to this year’s edition will be priceless
                 the leaders in the New German Cinema   acclaimed films, especially Peppermint   and exciting to watch this   JOIN US ON US ON
                                                                                                               JOIN
                 movement, and began her career by   Candy and Oasis, the latter his first film   September.”✦
                                                                                                               FACEBOOK
                 pursuing acting, then making the   to screen at TIFF. After serving as South                  FACEBOOK
                 switch to directing. Her filmography   Korea’s Minister of Culture and Tourism      Chloe Teboe and
                 includes Marianne & Julianne (1981),   from 2002 to 2004, he was no stranger      Brenna Donovan  www.facebook.com/cannesmarketnews

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