Page 9 - CMN2_web

DAY 2
Wednesday 15 May 2019
VILLAGE

Marché du Film
Events

15 MAY INTERNATIONAL
TH
NEXT
11:00 – 12:30 EVERY DAY, A FOCUS ON A PAVILION AT THE VILLAGE
Leading your movie to success with big INTERNATIONAL. TODAY, THE POLAND CINEMA PAVILION.
data and audience incentivisation
Speakers
• James LEE (Contents Protocol) /
South Korea
• Michelle Jo (Contents Protocol) /
South Korea
Conference Room, Palais -1
CANNES XR

12:00 – 14:00
The Holy City World Premiere
Project
• The Holy City, presented by Holy City VR
Cannes XR Hub, Palais -1
14:00 – 16:00
Immersify challenges for immersive
content production in 8K and beyond
Projects
• From the Inside - A different
view of the Cathedral in Poznan
(PSNC - Poznan Supercomputting
and Networking Center) - Poland
• Pandarama (ARRI) - Germany © ÉRIC BONTÉ/1000IMAGES
17:30 – 19:00
Cocktail LBE Summit by SpringboardVR
Conference Room, Palais -1 Maria Jasozak, Wojciech Leszczynski and Maria Gradowska-Tomow (Polish Film Institute)
14:00 – 14:30
The LBE Landscape : LBE 101 THE POLISH FILM INSTITUTE THIS YEAR
Speaker INTRODUCED A PRODUCTION CASH REBATE
• Brad Scoggin (SpringboardVR) -
USA - @springboard_VR OF 30%, AND IT’S ALREADY SHOWING RESULTS.
14:30 – 15:30
Creating VR experiences IT’S PRINCIPAL GOAL IN CANNES IS TO PROMOTE
for location-based VR
Speakers THE SCHEME TO THE WORLD.
• Will Stackable (SpringboardVR) -
USA - @wstackable
• Kane Lee (Baobab Studios) - HE Polish Film received applications for over €7m,” Jury Prize in Cannes in 1957.
USA - @baobabstudios Institute (PISF) Gradowska-Tomow says. “Our “We are also organising several
• Antoine CAYROL (Atlas V) -
France - @Snookker supports around 200 expectations are high as there are co-production meetings and
• Danilo Mauro Silva (Experlus VR) - film projects every year, some important projects in cocktails with other countries —
USA - @experiusvr T including some 45 preparation and we are confident and, as every year, we are also
Moderator feature films. It is also the that we will use the money that’s partner of the Producers Network.
• Jenna Seiden (Zambezi Partners) - administrator of the 30% cash available for 2019. We hope to This year there will be a strong
USA - @jannan13
rebate system introduced earlier this boost our industry to a new level in presence of Polish producers in
16:00 – 17:00 year. The PISF has an annual budget terms of film budgets and the level Cannes. Our aim is to provide them
The business model for LBE narrative VR of €100m, its aim to support of technical advancement in with a place to meet with partners
Speakers national film industry in Poland in Poland.” and to increase accessibility for
• Siqi Chen (Sandbox VR) - all aspects including production, Every day at the Polish Cinema everyone interested in talking to us.”
Hong Kong - @blader
• Liz Rosenthal (Venice Film Festival/ promotion and dissemination of Pavilion, starting 17 May, there is a Looking ahead, Gradowska-Tomow
La Biennale di Venezia) - film culture. Q&A session dedicated to the says the long-term goal for the PISF
Italy - @powertothepixel In Cannes the PISF’s main goal is to rebate scheme. At the Pavilion “is to maintain the high artistic
• Antoine Cardon (DVGroup) -
France - @DV_Group promote the 30% cash rebate Gradowska-Tomow and her quality of Polish cinema and to
Moderator scheme — which, according to the colleagues will also be celebrating increase the level of professional
• Will Stackable (SpringboardVR) - PISF’s international projects and the work of Polish director Andrzej development and marketing
USA - @springboard_VR festivals manager Maria Gradowska- Wajda, who is being honoured strategies of Polish producers. We
17:00 – 17:45 Tomow, is “a game-changer for the during the Cannes Classics film have introduced several changes in
heritage programme with the
the way we assess projects according
Kaleidoscope’s development Polish film industry. Also, we want
LBE focused showcase to promote Polish films, hoping to screening of a fully restored print of to this principle,” she says. “I am
Moderator ALL PHOTOS © ÉRIC BONTÉ/1000IMAGES see them at important festivals Kanal. The feature-length black- sure that this will lead to a growth in
• René Pinnell (Kaleidoscope) - USA throughout the year,” she says. and-white film, shot in 1956 and the presence of Polish films in
international distribution in the
The rebate is already attracting
telling the story of the final days of
the Warsaw rebellion of late
interest from around the world.
future.” ✦
“After just two months we have
September 1944, won the Special
Julian Newby

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NEWS